After nine months Sulkowicz completes her performance art project, laying the mattress to rest in her parents living room, with the intent to later sell the art piece to a museum. With Nungesser and herself having both graduated, she says that she has no further use for the mattress.
I’m not going to just throw it away. It tells of all the times when things didn’t really go according to plan and all the fucked-up things that happened. People think I was supposed to have this warlike relationship with it and it was supposed to be this object that I was angry with, but for me, that related to how people chose to read my piece rather than the way I lived with it … I have a scenario planned for the exhibition of my piece…If some sort of museum wants to buy it, then I’m open to that. But I’m not going to just throw it away.
Sulkowicz’s ideal scenario for exhibiting the piece includes the mattress, the collection of plastic bed-wetting sheets that protected it in the rain, instructions to re-create the “Rules of Engagement” she had painted on her studio wall, and a 59,000 word diary that tracked her experiences.
It [the diary] tells of all the times when things didn’t really go according to plan and all the fucked-up things that happened. It’s the real record of the piece…To me, the piece has very much represented [the fact that] a guy did a horrible thing to me and I tried to make something beautiful out of it…I’ve had the most crazy two years of my life, so I’m ready to go incognito and try to make a life where not everyone is recognizing me. Maybe I’ll change my hair color.