Follow You, Follow Me
The band release Follow You, Follow Me, from the album …And Then There Were Three. The music is written by Banks, Collins and Rutherford, with lyrics by Rutherford. Collins has described the song as a great rhythm track and claims it was not intended to be a hit single. Banks:
It was our only truly group-written number. Mike played the riff, then I started playing a chord sequence and melody line on it, which Phil then centralized around. It worked so well as a very simple thing; it was enough as it stood. I’d just written a simple love lyric for Many Too Many, and I think Mike was keen to try the same thing. Maybe Follow You Follow Me was almost too banal, but I got used to it. I think we find it much easier to write long stories than simple love songs.
Robbery, Assault & Battery video
The band releases the video of Robbery, Assault & Battery, from the album A Trick of The Tail. This is the first promotional video the band has made. Collins:
It was actually quite good fun.
Ripples music video
The band release the video for Ripples from Trick of the Tail. Hackett:
We never did actually perform Ripples live whilst I was in the band. Ripples I thought was one of the best tracks on Trick of The Tail. I thought it had something interesting about it. Mainly, for the guitar combinations to be honest. The 12-string work, from Mike (Rutherford) and myself, and the thing that sounds like a backwards guitar solo which was played forwards but was a sign of things to come.
Trick of the Tail
The band release the single Trick of the Tail, their first single featuring Collins, and the first to have an accompanying video. Banks wrote the majority of the song in 1972 and it was originally intended for Foxtrot. The lyrics are inspired by the book The Inheritors by William Golding. The video features the band playing around a piano, and appearing in miniature inside the piano. Collins:
Trick of the Tail is probably the most embarrassing video I have ever been in. It was a very small me running up and down a piano. You know when you look back and think, ‘Who told me to do that? whose lapse of taste was that? Was it mine?’ I think it was a mixture of me and the director…and the other guys. Everyone must be blamed.