The band releases an acoustic EP containing songs from their first three albums: Block Out The Sun, I Saw A Ghost, Forever In Your Debt, Supernatural, On The TV, and Lunatic. The album was produced by Phil Bullyment.
The limited edition Live At Festival No.6 album is released, as part of certain initial pre-order bundles from the band’s webstore. The album, recorded in Summer 2017 at Festival No. 6 at Portmeirion Town Hall, comprises a six-song set of stripped down songs accompanied by strings arranged and conducted by Festival No.6 composer-in-residence Joe Duddell.
The band release their third studio album, Build a Tower. The album is released on Modern Sky Records and was recorded and produced by Phil Bullyment at Edwin Street Recording Studios in Bury. The album is released in multiple formats including limited-edition red and yellow vinyl, and cassette tape.
We’re really proud of the record as we’ve learned a lot since our last, self-released, album. Build A Tower feels like a big step up. Even though fans have heard a couple of the tracks played on the last tour, there’s a lot we’ve been holding back until they had the album in their hands, so we’re also looking forward to getting out and playing live. We’re excited to see what people make of our new music.
The band releases their second album, Cavalcade. The album is produced by Phil Bulleyment.
Its dynamically a bit more sophisticated, the individual instruments have a bit more room to breathe. This is partly due to us getting better as musicians but our producer Phil Bulleyment played a major role in shaping the sound of this record. Fundamentally though it’s popular because the songs mean something to people, it’s been fantastic to hear people singing along at gigs and it’s amazing to share that connection with people.
The band releases their debut album, The Slow Readers Club. The album, produced by Kipper, includes many songs from the Omerta period. Aaron Starkie:
Recording the album was pretty intense, long days from about 10am to 10pm, could fry your brain sometimes but it was worth it. We had done a lot of work in preparation before we went in, we had already demoed all the tracks and had most of the synth parts and strings and stuff pre recorded. Working with Kipper was brilliant he taught us a lot about building the sound and creating texture. Kurt recorded about ten guitar tracks on some songs, we wouldn’t always use them all but it gave us lots to work with.