Foxtrot
The band release their fourth studio album, Foxtrot, with the same lineup as Nursery Cryme. The album includes Watcher of The Skies, Get ‘Em Out By Friday, TimeTable, Horizons and the 23-minute long Supper’s Ready, the band’s longest track. Gabriel sings all songs except Horizons, which is an instrumental piece for guitar, written and performed by Hackett. The album is produced by the band with Dave Hitchcock as co-producer, and John Burns as engineer. The sleeve is once again designed by Anthony Whitehead.
Nursery Cryme
The band release their third studio album, Nursery Cryme. The album includes The Musical Box, The Fountain of Salmacis, and Return of The Giant Hogweed. This is the first album with Collins and Hackett. Gabriel sings all songs except For Absent Friends, which is written by Hackett, and sung by Collins. The album is produced by John Anthony and engineered by David Hentschel. The sleeve is designed by Anthony Whitehead, based on the characters in the songs. Banks:
Nursery Cryme was the album that incorporated Phil and Steve into the band, so we became, for that reason, a better playing unit than we’d benn in the past. And we’d also by this time, played quite a liot on stage, so the development from Trespass was quite a big one. And we had the Mellotron was a new instrument, and a certain quality of the early-Genesis sound was started with this album.
Hackett:
I was thrilled with it. The rough edges at that time I refused to hear. I just wanted to bask in the glory. I’d done an album with what was destined to become a great band, and occasionally the sound was wonderful.
Collins:
It was a real great five-piece working uni. We all got together for the meetings for the cover, we were there all the time for the mixing. Pretty much we were all involved in the writing, apart from the lyrics. Certain songs would have pairs going off to write lyrics. I have very fond memories of the period.
Gabriel:
A step into the shade, if you like. There’s more sunshining in Trespass, more folky feels, and outside stuff. And we’d gone indoors in Nursery Cryme.
Rutherford:
It’s a good example of how we were moving on…I like the cover Quite a strong image of the girl and the croquet lawn., and the head. We were starting to create an atmosphere about the band. Slightly quirky. I felt we were starting to become something that was a little bit unique in the music business.