Omerta is profiled in The Manchester Evening News. Neil Turvin:
We want to make sure that we are not a band that will simply fall through the cracks. Clint Boon has said that if he was to play with another Manchester band it would be with us. And when Mike Joyce of The Smiths heard one of our tracks he said ‘that’s one of the best songs I’ve ever heard. When Shaun Ryder first heard one of our tracks ‘Synchronise Your Smiles’ he put his head in his hands and said ‘I can’t believe this band is unsigned’. I am sure that we can do it. Our band of supporters is growing by the week and we have got 13,000 My Space friends. And every gig is a big event.
Aaron Starkie is interviewed by Ears to Ears. On the name of the band:
I remember as I was finishing Junior School we were taken around Senior School and shown all the different class rooms, Science labs and drama room and all that. One of the rooms we saw was called ‘Special needs’ I thought it was really odd that you could be assessed at that age and then be removed from the mainstream of education. The Slow Readers Club is our versions of that, we wanted The Smiths but someone had already used it 🙂
On the lyrics:
Most of the lyrics operate around a similar theme and it basically boils down to a discomfort with established institutions and systems, whether that be a relationship or working a nine-five to afford two holidays a year or buy a better car. Often they are intentionally churlish, to provoke a reaction like in Feet on Fire: “I will regret this decision for a long, long time. You know I only really wanted her for just one night, and now she hunts me down, she hunts me down, she hunts me down, for the rest of my life”
The band are interviewed by Charming Man, a Manchester music blog. On their influences:
There are tons of bands that have influenced us but Radiohead, The Killers and Interpol probably the most prominent. We started out as a guitar band really, but were always interested in adding things like synths and strings. At the time my Mrs was in a band called Earl and they had been working with a David Luke from a band called My Computer who was a wizard with electro stuff. I picked his brains about what software to get and after a few months we had a new sound and some new tunes…I would say we have the same darkness in a lot of our tracks as Joy Division and my lyrics quite often share the same world weary view as those of Ian Curtis. New Order obviously pioneered and popularised synth and electro music and had more of a pop sensibility. They made music that will be played and fill dance floors for many years to come. We aim to achieve the same thing.
The band is interviewed by Bitter Sweet Symphonies, before their headline set at The Royal Oak pub in Chorlton. They talk about recording their upcoming album:
The way we are going is more current. We’re really proud of what we’re doing so far. We’ve got five tracks done so far, because we work in the day, we kind of work around that, we get it done when we can. Hopefully, we’ll have an album’s worth by 2020 [laughs]. I don’t know, but it’s gone pretty well so far and the producer we’re working with is really good. But it is different, but not different totally. Different good.
We’re really proud of [Forever In Your Debt] though, so if the rest of the album can come up to that standard. I think there’s one or two at the moment that we probably think are there, then we’ll be more than happy. But to me anyway, I can’t speak for everybody, but I think that is kind of a blueprint, like the bar, that we want to meet. It might be that people prefer the other stuff that we’re doing more than that one but we’re proud of Forever In Your Debt and that’s why it’s going to be the first single…I remember the first couple of times we did Forever In Your Debt live and my heart was just up in my chest, you know what I mean. Especially, when you’re first introducing it to people, and the reaction for that one has been pretty good live.
The band speak to Gigslutz. On their Manchester influences:
The Stone Roses and The Smiths are probably our favourite Manchester bands, we didn’t grow up in that era but their music still featured heavily on the playlist at indie clubs like 42nd Street, 5th Avenue and the Venue in our formative years.
On being recognized by New Order’s Peter Hook and Coldplay:
We were on the same bill as Peter Hook at Salford Music festival, didn’t even realise he caught our show till he was bigging us up in the NME. He is a legend isn’t he, so it was a great honour. The Coldplay thing was even more bizarre, our video for ‘Block Out The Sun’ featured on the Coldplay site for a week in a gallery section where they highlight anything from music to art. Brought us a good few thousand views and more importantly lots of new fans. It was great of them to give us their endorsement and share our music with their following.
The band are interviewed by London-based music blog, We Close Tonight. On Manchester’s live scene:
Yeah, Kurt had been in a band with David as well before so we were all familiar with the live scene in Manchester. I think our first gig as Omerta was at Band On The Wall and probably our first gig as SRC was at Ruby Lounge. We’ve played a few places around Manchester, some of the newer venues as well like Soup Kitchen and The Castle we’ve played recently. There was a thing in the press recently about it being the most live venues in the country of any city. There’s a lot of choice. There’s not always people there. More recently there tends to be more people. These venues become trendy and suddenly they’re not trendy any more. It’s a cool city for music.
Aaron Starkie is interviewed by MancunianWays.com. On releasing Cavalcade as an album.
We’d had various bits of advice, and the industry is changing to less of a focus on the album, and more on singles. But we always thought [the songs] would be part of an album…If I had one criticism of the first record. It’s well loved by fans and I love it myself. Some of those tracks we’d recorded three or four times by then, and you just haven’t got the energy that you have when you go into the studio and write it for the first time.
On the title track:
I’ve got two young kids, a four-year-old boy and a six-month-old girl. And was seeing my son grow up, the speed he changed from a baby to a toddler. And it made me think about me leaving home, and one day him leaving home, and all that melancholy stuff. There’s a track on Seargent Pepper’s called She’s Leaving Home, it’s the same kind of sentiment. One day you are going to go out into the world — the Cavalcade — and it’s a big adventure.
The band are interviewed in advance of their appearance at the Classic Grand in Glasgow:
We’re really looking forward to playing the Classic Grand. We have great fans in Scotland and Glasgow is a great city. It feels a lot like Manchester actually. Glasgow crowds seem to be well up for a good night and won’t just stand there stroking their chins. We had a warm welcome the last time we played there at Stereo. We’re very proud of Cavalcade and glad it’s been well received. Word seems to be spreading as gigs are getting busier and busier. We’ve just played a sold out show at Manchester Gorilla and that blew us away.
The band is interviewed by Ellipsis before their performance in Liverpool. About Cavalcade:
On the first album, some of the tracks came from a previous incarnation of ours, a band called Omerta that Jim and I used to be in, so the first album was written over a much longer period than this one…The songs stood up but a lot of the first album felt quite old, to us anyway, but the second album, that was written over… maybe two years, I don’t know…Two years, around day jobs and things, and we had a really good working relationship with the producer – not that we didn’t on the first one, but I think he got a little bit more out of us, and it was a little bit closer to what we wanted…We’ve got more of our own sound on this one, maybe, whereas on the first album we were trying out a few different things, sort of big string-symphonic melancholy stuff, synth-driven stuff. We’ve the same on the second album but less… less orchestration, I guess.
The band is interviewed by GIGSoup. On still working day jobs.
A lot of bands that are a higher level than us still have day jobs…we speak to them and they’re all on a decent label and having success but they still work. You just think, it would help (not having a job) because you could do like 20 date tours and go around Europe, we have got fans overseas and stuff, but for the moment it’s not on the horizon. You get a lot of trust fund kids basically in music these days and I think that’s why the accent seems to have been exclusively middle to upper class. It seems from the outside it looks easier to ‘make it’…it seems you just throw a video on Youtube, get 3 million views or whatever, and that’s it but you know there’s a lot more that goes on behind that, the time, the effort.
Aaron Starkie and James Ryan are interviewed by Hawkins on BBC 6 Live. On their sound and image:
AS: I think we’re learning that more and more. The last gig we did at Gorilla, the lighting show a was a big part of it. And that’s something we’re considering more for the future, perhaps involving video. In terms of writing, somebody comes up with a riff, whether Jim on the bass, or me on the keyboards, or Kurt on the guitar. Then we jam around that for a while. A lot of the time we’re beating the hell out of it to get it into a working a song. And I’ll have random lyrics for a while. Then there’s other ones like Don’t Mind, that came from start to finish in one complete unit. It’s amazing when that happens.
JR: We don’t sit down write a song that sits into our image.
AS: There’s a few that have been dismissed for being a bit too sunny.
The band is interviewed by Louder than War. On being part of the Manchester scene:
Manchester is an important city musically and culturally it has given the world so many great bands. That is both a blessing and a curse. There are a lot of great bands coming through in Manchester but it’s quite varied; from psychedelia to electronic to traditional guitar bands. I don’t think there is one sound that unifies it as a ‘scene’. Then again I’m not sure that was the case with ‘Manchester’ either, I guess scenes are often about fashion and drugs as much as the music I suppose.
The band are interviewed in advance of their show at The Workman’s Club in Dublin. On the death of Prince:
There is a real sense of: will those icons of that level exist again? When I was young I used to get on the bus, go to town, buy an album, read the sleeve notes on the way back. You’d listen to it from start to finish. But music is so accessible now. It’s very difficult for bands now to glue onto people, and get fans for an album. Things like YouTube and iTunes are good, but the drawback is that the listeners switch on, they listen to you, but just as quickly they switch to something else. When we do connect we feel more privileged, but it hard to see somebody being that level again.
In advance of their first Northern Ireland show, the band are interviewed by State.ie. On whether 2015 was a breakthrough year.
Yeah it definitely felt like a step up, in Manchester we have gone from playing venues like the Night and Day to selling out Manchester Gorilla. We’ve been touring a lot too and building our fan base in different cities, Sheffield, Glasgow, London and more recently Dublin have been great to us. We also played some decent festivals last year with Isle of Wight and Ramsbottom festival being highlights. We’ve had a good few plays from BBC 6 Music and Radio X in the UK and the support from TXFM Dublin has been phenomenal. Our single ‘Don’t Mind’ featured on Steve Lamacq’s round table. 2015 was fantastic but things have kept building this year too, it’s a really exciting time for the band and for the fans that have followed us.
The band are interviewed after their show,supporting James, in Manchester. Aaron:
The first gig we played in Bristol, I shit myself. I was like, I never want to do this ever again. What am I doing? We’d done our own tour before, but this was in front of a few thousand people that were cold. I just went into myself, but after a few shows it was alright…It’s been amazing watching James be so relaxed about it.
They also reveal that the acoustic performance on the tour was because David Whitworth’s twins were born.
The band is interviewed by Mouth magazine, from their Manchester rehearsal rooms. They talk about the James tour:
We’ve been very warmly received by [James] fans and the band. The most we’d done on our own was 600, but the lowest for James was 2500 going up to 5000, and then 20,000 at the Arena. They couldn’t have made us feel any more welcome.
And new music:
Aaron: The intention is, for the Ritz gig that we’ll have a few tunes. We’re kicking around six or seven ideas that aren’t sort of fully formed yet. It’s usually me that holds it up. I wait for the last minute for the lyrics.
The band are interviewed by Skiddle, where they describe 2016 as “mind-blowing”.
We supported James in May on ‘The girl at the end of the world’ tour and played venues up and down the country including Kentish Town Forum, Brixton Academy and Manchester Arena. We were blown away with the support we got from James and their fans. Jim and Saul from the band would watch our set pretty much every night. We had to do an acoustic set for one of the gigs as David our drummer was unavailable. I think Saul could sense we were a bit nervous and surprised us by joining us on stage to play violin on a track of ours called Forever In Your Debt…Manchester will always be the centre of our universe, it always feels great to play Manchester especially recently our show at Gorilla at the end of last year was unreal. We were all really proud of getting that far so the Ritz should be another level again…We are writing in the run up to the Ritz so should have a new track or two, we will also be writing more in the new year. I guess we will tour again once we have a bulk of new stuff.
The band are interviewed by Northern Soul, a music blog. Aaron Starkie:
Last year when we played Ramsbottom it felt like the time that things were starting to kick off, and we were getting one or two festivals. And word started spreading.
On new songs:
We’re getting evicted from our rehearsal rooms, which doesn’t help. Someone’s bought the building and they’re turning it into a block of flats. We intend to have a month of writing and perform new material at the Ritz.
The band are interviewed in Manchester United’s Inside United magazine, where they talk about their love for the team.
My dad bangs on about Best, Charlton, and Law — I’d love to see them up close now and compare them to today’s greats.
The band are interviewed by a Portuguese music blog where they talk about their sound, touring with James and a few favourites, including a wish to one day play Glastonbury.
First and foremost we write and perform great songs with infectious melodies and lyrics that connect and mean something to people. Whatever happens with the band, it is amazing to think that our music has been listened to and enjoyed by people around the world.
The band are interviewed by BBC Manchester before their Ritz concert. James Ryan:
It’s been the best year for the band so far. In December last year we were playing Gorilla over the road. And that sold out, but if you had said then in a year’s time we’d be over the road at the Ritz, we wouldn’t have believed it.
We’re an unsigned band, so to be able to do this…and it’s just social media’s been great. James support has been great. And the fans.
Aaron: There’s men in suits have come up from London.
James: We’re writing, we want to do another album as well.
The band appear on Sounds TV.
Aaron Starkie is interviewed by Bido Lito!, a Liverpool-based music magazine. He talks about the influence of Joy Division, and the influence of Liverpool bands, as well as the pressure of the band still having day jobs:
I won’t lie, it has been difficult for all of us to balance the band, work and home life especially in the last year or so. At times it has been physically and mentally draining. Aside from the logistical challenges of managing to write, rehearse and tour around work, we also do a lot of admin/business stuff as we have no manager, agent or label. That said, we have been rewarded for our hard work with amazing experiences. We ended last year with sold out headline shows in Manchester, London and Dublin. The Ritz in particular felt like a real celebration for us and the fans that have followed us over the years and helped spread the word.
On new material:
We should be releasing something, be it singles or an EP toward the end of the year. We are looking at the start of 2018 for the next album. In terms of what is influencing what we are writing, that feels pretty hard to pin down. Personally, I consume music mainly through listening to 6Music with the occasional bit of Absolute 80s ha ha… Lyrically, much of what I written so far has been quite personal, existential. I will try and broaden things out a little I think. Obviously the political environment, in a post-Brexit, Trump world will have an impact in some way. I think it will be interesting to see how all art forms respond to the political climate in the coming years.
In an interview with Fred Perry Subculture, the Slow Readers Club talk about their favourite music, and share a playlist.
A British icon or band who inspire your sound?
James: We always get asked this and it’s really hard to answer because as a band we listen to all sorts of stuff… Some better than others. We’ve been compared to the likes of Depeche Mode and Joy Division. Possibly because our sound is quite dark and has some synths. Aaron also sings in a low range at times. We’re not moaning though, they’re both quality bands.
Aaron: Yeah sound wise, it’s a lot of different stuff as Jim says. Lyrically it’s Lennon and Morrissey are probably the biggest influences – I like stuff that’s personal, honest and semi-autobiographical.
Aaron and Jim are interviewed by Reyt Good Magazine, while being driven through Salford, Manchester. They talk about their early days, the support of the band by James, and the changes since they signed.
We now have all the machinery established bands had. Before we were doing it all ourselves…we did our best to look around other cities and see what they were doing…if you go to a city where a promoter’s built a reputation, you do get music lovers turning up to see what’s going on. It gves you a chance to get in front of new people.
The band are interviewed by Too Many Blogs, talking about their upcoming album, Build A Tower, which will be released on May 4.
The Star Wars thing is just a coincidence, we won’t be doing a gig in Jedi robes or anything.
We have developed a lot as musicians since Cavalcade, so there is more invention in terms of melody, rhythm, song structure…Some tracks are very personal and explore the feeling of being in love with someone and the delicious fragility of it, the sense that it could disappear before your eyes (‘Supernatural’). Some tracks refer, very specifically, to the external political environment (‘Lunatic’/’On the TV’). Musically, it’s probably more consistent in terms of style, as the album was written in a tighter time-frame than the last album. It’s pretty inventive – hopefully, our existing fans will love it and, hopefully, it continues the work of the previous album (in winning over most people that hear it).
Aaron and Kurtis appear on the It’s Only Rock’N’Roll show on Fab Radio International. On their growing support:
Kurtis: One thing you notice is audience sizes. Going from doing the smaller venues where the odd pockets of people knowing the words, and then getting to the stage where people are all singing it back and chanting ‘Readers’ is a different level.
Aaron: The connection with the crowd is incredible now…David Bowie said, “Don’t play to the gallery”. That sticks in my mind: you get down and sing to those that are buzzing at the front, and you see it roll back through the venue.
On the upcoming album:
Aaron: A lot of the stuff in the past has been introspective and existential (Kurtis: mean and moody!). I wanted to explore different territory anyway and be a bit more positive anyway. But then Brexit happened, and Trump, and the world seems to be getting very polarized. The trajectory of the planet seems to be completely different. So I thought I was important not to be majorly political, but put a positive message out. Songs like Through The Shadows are about getting through difficult times and the most important thing being about those you love. A more positive message than before, but more universal, and bits of social commentary. Whereas, before it was a bit more about my own insecurities and demons…We’ve sold nearly 2000 pre-orders so far. If we get a decent chart position it leads on to other things.
In advance of their Leeds show, Aaron talks to Darren on Proper Sports’ Big Sports Breakfast, about how their previous tour with James came about.
It was an amazing opportunity for us. They tweeted one of our tracks that we performed — I Saw A Ghost — acoustically in Manchester Central Library. It was like a guerrilla thing. We just turned up and did it for a YouTube channel. Jim Glennie tweeted via the James account, and we were like ‘Christ, gotta get on to this’. Luckily enough for us they had a new album and tour coming up. There’s a guy who’s supported us for years that’s written about us in Manchester that we knew did their sleeve notes and knew the band. So I manged to get a CD to the band via him. Then a week or so later we got a note from their management offering us 14 dates on their tour. We ended up playing Brixton Academy, Manchester Arena, Liverpool Echo Arena. That was massive for us. It gave us an audience all over the UK.
The band release a series of short videos where they talk about each track on Build A Tower.
The band are interviewed before their show at Rock City, Nottingham. On the crowd reaction on the tour:
Aaron: We’ve had good crowds everywhere. There’s one in particular that the crowd have really got on top of, and bouncing around. Manchester’s probably the first gig we had when we had people on people’s shoulders. The energy in the room has been fantastic…On the TV in particular, it’s got a really strong riff from Kurtis and a very direct chorus. The first few days on the tour the album wasn’t actually out, but you could see that people were getting on it in the moment. People were singing the riff through the tune, and before we came on for the encore.
Kurtis: My take was that when we first did the first couple of gigs before the album came out. I thought Supernatural was getting the best reaction. But it’s changed since the album came out.
The band are profiled in Manchester Evening News. Aaron talks about playing Manchester’s Apollo on their upcoming tour:
It’s a venue we’ve always wanted to play. There’s something special about the Apollo. There aren’t many places bigger in Manchester. Except the
arena – but let’s not get ahead of ourselves…
On their rising profile:
When you hear the likes of James, The Charlatans, and Clint Boon talking about you in positive terms, to get their
backing, it’s awesome. It makes it all worthwhile when you’re playing the Roadhouse to 20 people and you think maybe you’re mad for sticking with it…It feels a bit mad to be
honest. This is always the nervy bit. Just as tickets are about to go an sale and you wonder if you’re going to get that extra boost. It’s squeaky bum time. But we’re just going to enjoy it…We’re just so grateful to [our fans]. They’ve really driven it. They’ve dragged their mates along to shows or shouted about us on the internet. This gig is as much about them as it is us.
The band records a three-tracks live session for Radio X [Link to Session], including Lunatic, Supernatural, You Opened Up My Heart, and I Saw A Ghost. In an interview, Aaron talks to Kennedy about the band’s progress.
We’ve got a strong commitment to memorable melodies…We’re ‘all killer no filler’…I spent a lot of time when we first started out, trying to sound more like everybody else, trying to sound more indy. But I’ve got a reasonable range and as I’ve developed and become more confident in what I’m doing it’s become more honest and truthful. It seems to be working.
Aaron and Kurt are interviewed for MCR Live about their upcoming acoustic album, For All Here To Observe. Aaron:
We’ve done a few radio sessions and acoustic stuff, as well as supporting James at Albert Hall at the end of last year. We figured we’d just get it recorded.
When we’ve done radio sessions before, me and Aaron normally turn up with an acoustic guitar and now and then we’ve had Jim on acoustic bass so we decided to mic up the drums and use brushes. It really gave the whole thing a different texture.
Aaron and James are interviewed by The Manc, for The Manc Meets interview series. On the Manchester scene:
AS: It’s good. In the early days it was tough, because there’s a big shadow you have to operate under. But now, with bands like The Blossoms, Cabbage and ourselves, breaking through and doing decent sized shows, there’s something happening again in the city.
JR: There’s loads of venues opening up now…The music scene’s good, but starting out, back in the day, sometimes it was hard to get away from that big, old Madchester scene. If you’re from Manchester because people will automatically think, “I’ll compare them to a Manchester band”.